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Bacchus

Domain: Wine, ecstasy, theater, liberation, ritual madness Symbol: Grapevine, thyrsus, ivy, theater masks, leopard Greek Equivalent: Dionysus


Overview

Bacchus is the Roman god of wine, ecstasy, and the theater — the divine power of intoxication and release, and the loosening of the ordinary bonds of the self. He is also called Liber, "the Free One," and stands for liberation from social constraint, the exhilaration and danger of wine, and the ecstatic dissolving of the individual in ritual. His Roman form arose from the meeting of two figures: the imported Greek Dionysus, god of the vine and of divine madness, and Liber, an old indigenous Italian deity of fertility and the vine. Liber leaned toward agriculture and the generative power of nature; Dionysus brought the wilder note of ecstasy and rapture, and the two fused into a single god of many aspects.

His iconography is that of the Greek god carried over. He bears the thyrsus, the fennel wand tipped with a pine cone; wears a crown of ivy; and is attended by leopards or panthers, by satyrs, and by the frenzied maenads of his revels. The wine cup and the masks of tragedy and comedy complete his emblems, marking him as patron of the theater as well as of the vine. His titles, Liber Pater, "Father Liber," and Bacchus Liber, keep alive both the old Italian god and the ecstatic newcomer.

His worship in Rome was double-edged. The Bacchanalia — secret, nocturnal rites of ecstatic celebration — grew notorious enough that the Senate moved against them in 186 BCE, restricting the cult across Italy in one of the earliest recorded suppressions of a religion by the Roman state. The public and respectable face of the god was the Liberalia on March 17th, a festival at which Roman boys formally came of age and put on the toga of manhood, honoring Liber together with his consort Libera.

Against the Greek Dionysus, whose worship the Greeks embraced more openly, Bacchus was hemmed in by suspicion. The Roman state distrusted the loss of control his rites promised and kept them under tighter rein, so that he was less prominent in official religion — though his patronage of the theater endured and the wine-god's hold on the imagination was never broken.


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